Saturday, October 27, 2012
OM.2005.194 - Gailene McGhee St.Armand - USA
Ada Jolie
collage/mixed media
Gailene McGhee St.Armand
from Hoboken, NJ USA
OM.2005.190 - Charlotte Pregnolato - USA
Rajamaniac
collage/mixed media
Charlotte Pregnolato
from Knysna, South Africa
OM.2005.188 - Shirley Nachtrieb - USA
Waist and Measurements #4
collage/mixed media
Shirley Nachtrieb
from St. Charles, MO USA
OM.2005.187 - Mary Ann Maritz - USA
untitled
collage/photomontage
Mary Ann Maritz
from St. Louis, MO USA
Friday, October 12, 2012
OM.2005.180 - Elizabeth Concannon USA
Stem Cells-II: EVOLVING
collage/photomontage
Elizabeth Concannon
USA
OM.2005.179 - Judith Bergerson USA
Beach Dreams
collage/photomontage
Judith Bergerson
from Wyoming, MN
Thursday, October 11, 2012
OM.2005.178 - Thomas Lee USA.
Thomas Lee
collage
Thomas Lee
I have been working with the collage to find if I can portray the familiar in the abstract. when I create these works, in the back of my mind I use an image of the antique wood fence that was once located in the center of a small town. This fence was used for public notices, traveling road shows, the circus or snake oil advertisements. After the event was over, the old poster was partially torn off or over-painted and a new event advertisement was slapped up over the old one. Over time, this site becomes a time capsule of the events of this small town and the lives of the people. The remnants of memories of these past events will elicit individual emotions and experiences. In my collage paintings I use vintage music, literature and photos in a visually abstract style in an attempt to have the observer relate to the work on an emotional and visual level, and possibly elicit a forgtten memory. |
Thomas Lee
USA.
OM.2005.166 - Eydi Lampasona USA.
Reflection Series #5
collage
Eydi Lampasona
In life, as in creative endeavor, the unexpected and unconsidered become pivotal points that mold the scheme of our existence. I prefer creating works that echo a mystery, reflecting a universal journey, thus raising the consciousness of the viewer, who ultimately becomes a participant instead of a spectator. |
Eydi Lampasona
USA.
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